11/30/2023 0 Comments Baritone saxophone transcriptionsĬan we say, “WOW”? This collection of solos by the late, great tenor titan Michael Brecker is transcribed mostly by Rick Margitza – himself a leading voice on the saxophone. As an added bonus, Jeff’s site features analysis of three of the of the solos on this page. Since this is one of the few transcription sites out there with v ersions of each solo for C, Bb, and Eb instruments, it works for both alto and tenor folks (not to mention the three C Melody player on the planet). Sax player and educator Jeff Rzepiela offers up a fine collection of solos by straight-ahead sax players such as Hank Mobley, Sonny Stitt, and Wardell Gray to name just a few. UPDATE: Unfortunately Charles’ incredible collection of transcriptions is currently offline, hopefully it will come back sometime soon, at which point I’ll be happy to update this page. What I like about this site is how the list of solos is presented quite clearly compared to many of the sites out there. The Sites to Check Out Ĭannonball, Brecker, Coltrane, Phil Woods, Kenny Garrett, Bergonzi, Dexter Gordon, Johnny Griffin, and many, many more, this is one of the best free transcription sites to bookmark and pillage. ![]() But thanks to the power of this newfangled internets online, we can get a boatload of transcribed saxophone brilliance without putting as much as a ding in the pocketbook. Of course, there are a gaggle of amazing transcription books available for purchase in stores and on websites. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.īroken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup. In 2006, Steve Finch took over as Director of Operations for Strokeland Records, as Kupka began work on two new releases: “Doc Goes Hollywood”, a collection of his songs written in the “Great American Songbook” style and “Bumped Up to First Class”, a new collection of Kupka’s classic soul songs in the early Tower of Power style.Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like.you. Strokeland Records grew to include numerous other soul, jazz, and funk artists. In 1998, Kupka founded Strokeland Records along with Andy Ebon as a platform for his own songwriting. Kupka has also recorded with numerous other artists, including The B-52’s, Chicago, Dan Fogelberg, Heart, Elton John, Huey Lewis & the News, Little Feat, and Bonnie Raitt. Kupka has been with Tower of Power ever since, and is also responsible for co-writing (with Castillo) many of the band’s best-known songs.Īccording to his bio on the Bump City site, the “Doc” plays a Yamaha YBS-62 Bari Sax, Berg Larsen 130 facing metal mouthpiece, and Rico Plasticover 1.5 strength reeds. ![]() The band recorded their first album, East Bay Grease, in 1970. Kupka convinced Castillo to start performing original songs, and they changed the band’s name to Tower of Power. In 1968 Kupka met tenor saxophonist Emilio Castillo and joined his soul music cover band ‘The Motowns,’ based in Oakland, California. ![]() “The Funky Doctor”) is an American baritone saxophone player and composer, best known as a founding member of the band Tower of Power.
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